IN-THE-NEWS

Manchester based Composite Imaging were invited by the Co-op to collaborate on the montages required for their new building – One Angel Square, NOMA.

The project focused heavily on Co-op themes to reflect the company’s brand whilst presenting the values in a very contemporary way.

The artists Paulette Bansal and her business partner Jackie Anderson were discovered by Kathryn Mitchell, design manager at the Co-op, who had been impressed with the duos previous projects completed for both the commercial and hospitality sectors.

“We really enjoyed working with Paulette and Jackie on the visuals” said Kathryn.

“The results are stunning and add real vibrancy to the interiors of the building.

“Paulette and Jackie completely understood the brief right from the beginning and were able to create super visuals that enforce The Co-operative’s values and in particular their commitment to Manchester and sustainability.”

Paulette added: “We were delighted the Co-op had the vision and confidence to use local artists who they knew could deliver specialist bespoke artwork creatively to their exact requirements within a very tight timescale.”

http://www.manchestereveningnews.co.uk/business/business-news/composite-imaging-creates-art-co-op-3408098

 

 

 

 

Well worth a visit for anyone but if you are an architect or interior designer, definitely make the effort. The show explores the experimental aspects of light in the form of sculptures and installations that sculpt space and shape space in different ways. We got the most from entering into the rooms that provided an overall experience of standing in a totally ‘wow’ situation of viewing light.  Great for ideas for being stimulated  by light in different ways in a space. The Hayward Gallery website will provide more information if you want to take a closer look.

http://www.southbankcentre.co.uk/whatson/light-show-69759

The Co-op

08.03.2013

Co-op Headquarters

Composite Imaging were recently invited to do a walk around the new Co-op headquarters in Manchester before everyone moved in. When the Co-op Group announced its plans to build new landmark headquarters at One Angel Square in the northern quarter of Manchester City Centre; Composite Imaging were delighted to be invited by the Interior Design Manager to create bespoke artwork for the iconic building, which would communicate & reinforce the culture & values of the co-operative group. The final Artwork successfully combines the history & values of the co-operative to present a very modern solution, which compliments the stunning interior of this new, sustainable, architectural gem that adds to the Manchester City skyline. Composite are very proud of the result & the feedback received to date has been fantastic.

First cut Images

This exhibition finishes on January 27th 2013, so last chance to see it and well worth it if you like 3-dimensional diversity on a variety of scales. Thirty-one international artists exhibit their work using cut, sculptural and various manipulations of paper to create a fantastic display of artworks. You enter via a walkway of a paper forest to see ahead of you a huge sculptural garden that takes up a large part of the floor space in the exhibition. My particular favourites were the pop-up books on a smaller scale, finer and more intricate exhibits.

Reasonable café here too, so a great way to spend a lunch hour in a completely different environment.

Ship Canal House

Ship Canal House is on King Street in  Manchester City Centre &  is one of Manchester’s landmark buildings. The Manchester Ship Canal opened to shipping in 1894 and Ship Canal House opened in 1924 built by Harry S Fairhurst. The building has been recently refurbished as a grade ‘A’ space and is now part of  the Himor Group portfolio. Composite Imaging were fortunate to be invited to create the artwork for this beautiful building earlier this year. The owners wanted to preserve the understated quality of the space and use elements from both the interior and exterior of the building to create the final artworks. The art was produced on metal panels  to reflect the clean lines of the existing  interior and photography was used to create the images.

Well worth considering if you are looking for office space…..

Twombly 2012

Saw this exhibition recently and really enjoyed it. Great for both colour references and the use of light from similar perspectives. Tate is showing similarities between these artists in style, subject matter & artistic motivation during the last 20-30 years of their lives. The fact that they are decades apart and exploring similar themes and challenges in their work comes across strongly as if they were all painting at the same time. I was reminded of how far ahead Turner was in his time re the atmospheric effects he creates in his paintings.  The smaller paintings with minimal mark- making and brushwork did it most for me,1840-4,’Sea & Sky, Calm Sea with Distant Grey Clouds & ‘Coast Scene with Breaking Waves’. I was still amazed by the techniques used in Monet’s ‘Houses of Parliament and ‘Waterloo Bridge’ considering again the time they were done. Twombly’s later work was  more of a new introduction to me, as not so familiar with this period. The word ‘energy’ comes to mind and a strong use of colour in this particular set paintings that sit well within the exhibition, but still more of a fan of his earlier work.

Get to see it if you love landscape, or just love The Tate.

Hepworth Wakefield

Hepworth Wakefield is well worth a visit. Not only is it purpose built and designed by award winning architect, David Chipperfield, it has a great collection of the artists work plus galleries for guest artists. The main focus is on Hepworth whose work is set in context by a number of works by early modern British and European artists. A collection of 40 of the artist’s prototypes and models were gifted to the museum by the Hepworth family and give an insight into the larger works that came from them. You get a real feel from the maquettes on display of how she worked at the various studio spaces in St Ives. Really loved the gallery and the work, great inspiration. Must mention the cafe though- absolutely marvellous, great choice of food, even for vegetarians and coeliacs!

Open: Tuesday -Sunday, 10.00am-5.00pm.

It is estimated that by the end of the decade, close to $60 billion will be spent on healthcare construction, which implies that close to $300 million will be spent on art in healthcare. In the current economic climate, this investment cannot go unchallenged. Does the investment in art reap tangible, measurable, and accountable benefits to a healthcare organization?

Only if we are able to make this case can art dodge the risk of being value engineered. Inclusion of art is of particular significance in mental health settings, where patients are “perceptually” vulnerable. In this context then, art must be chosen carefully, creatively, and conscientiously.

Prior studies on art, mental health, and healthcare settings

Today, there is a compelling body of evidence that makes a case for the impact of positive distractions, such as art, on clinical and behavioral outcomes, including reduced stress, anxiety, and pain perception. Many of these studies have been conducted in acute care settings in high-stress areas, such as ICUs, waiting rooms, and procedure rooms.

In the context of mental health, researchers have long speculated that the physical environment in which treatment occurs has an impact on both the treatment process and its outcome. The few empirical studies that evaluated the effects of psychoenvironmental design have shown a decrease in pathological behavior, selective behavior, and attitude changes among both staff and patients, with a significant decrease in the rate of patient violence, an increase in patient-staff interaction, and improved morale among both patients and staff.1

However, a review of literature reveals there is a lack of studies in mental health settings that isolate the healing impact of particular environmental variables.2 We conducted a study that addresses this criticism by investigating the impact of a focused intervention using visual art.

Our study

The objective of this study was to determine the impact of different art conditions on levels of patient agitation in a psychiatric holding facility. Three distinct art conditions—abstract art, abstract representational art, and realistic nature—were introduced inside a psychiatric holding unit lounge (Figure 1).

The nature art displayed was a realistic photograph that followed the description of a savannah scene and previous guidelines for appropriate healthcare art.2 The abstract-representational image was a painting similar to the photograph in content, color, and composition; but it was rendered in an abstracted style. Previous research has been criticized for the use of computer-generated imagery that controls for color and composition as lacking in artistic merit. Addressing this criticism, a comparable high art piece by Vincent Van Gogh was selected. The final art image was a chaotic abstract painting by Jackson Pollock with contrasting colors and non-representational content. This image was selected to provide a stark contrast to the other two images (Figure 2).

During the study, nurses on the floor were asked to observe patient behavior. At the end of the three-month period, data from the hospital on PRN medication prescribed and patient census was collected; nurses were not informed at the time of the study that PRN data would be analyzed. PRN is the anti-anxiety medication that is given to patients on a need-only basis for elevated levels of agitation.

Since this is a medication that is not routinely prescribed, it is a robust and objective measure of agitation. Researchers compared the ratio of PRN medication to patient census across three different art conditions and a control condition (with no art). PRN costs were provided by the hospital per PRN incident. Costs were compared across different intervention conditions to make a case for the impact to the financial bottom line of the hospital.

Finally, focus groups with 22 nurses were conducted to secure qualitative information pertaining to patient behavior and the staff’s perception.

Key findings

The focus groups revealed that not many differences were noticed in patient reaction to the realistic nature image and the nature-based abstract representational art. Nurses reported that patients looked at the artwork a lot but did not react verbally or physically to it. Some negative responses to the abstract image were reported—one patient threw the image, another requested it be turned around, and a third kept reorienting it. Overall, nurses thought that artwork in the room was a positive environmental element for their patients.

The ratio of PRN/patient census was significantly lower on the days when the realistic nature photograph depicting a savannah scene was displayed, as compared to the abstract art condition and the control condition (no art). Statistically significant differences were not found between the abstract art and abstract representational condition; between the nature art and abstract representational art; and between the control condition and abstract art conditions.

The lack of a statistically significant difference between the abstract representational art (which had a nature theme similar to the realistic nature photograph) and the chaotic abstract image is interesting and warrants further investigation.

Overall, there was a reduction in the average PRN per day on days when art was present as compared to days with no art. So it seems fair to say that some art is better than no art. A comparison of the cost of a PRN incident per day (which includes staff time and pharmacy time) and the cost of PRN medication per day, showed a reduction in cost for days that art was present compared to the control condition (no art).

Based on a cost of $60.30 per PRN incident, provided by the hospital, we calculated the projected savings for each condition. Based on the findings, a total annual savings of $27,526 was projected when nature art was displayed, $7,517 with the abstract representational image (nature-based), and $4,167 when abstract (non-representational art) art was present (Table 1). A statistically significant difference between the PRN medications requested was only found between the realistic nature image as compared to the control condition (no art).

Implications for art programs

The presence of artwork can impact levels of anxiety and agitation in psychiatric patients and, in turn, the total cost incurred by a hospital in prescribing medication for anxiety and agitation. Realistic images of nature that depict a savannah-like image conducive to evolutionary wellbeing, and supported by Biophilic theory, can potentially lower patient agitation levels.

The study shows that the type of art image displayed can have a powerful impact on patient health (and provide a cost savings). With the paucity of research on mental health environments, further research on other types of art that can impact patient anxiety is justified. This research also can be extended to other visual variables (wall colors, lighting, window views, etc.) to better understand how specific environmental variables impact health, as well as personal and institutional wellbeing.

A paper on this research was published in the Journal of Psychiatric and Mental Health Nursing in December 2010. HCD

Acknowledgement

Deborah Owen, Director of the Department of Psychiatry at East Alabama Medical Center; Rana Zadeh, graduate student at Texas A&M University; and Robyn Bajema, Research Assistant at American Art Resources.

Upali Nanda, PhD, Assoc. AIA, EDAC, is Vice President, Director of Research at American Art Resources in Houston. She can be reached at upali.nanda@americanartresources.com. Sarajane L. Eisen, PhD, IDEC, IIDA, AAHID, is Assistant Professor, Interior Design, at Texas Christian University. She can be reached at sarajane.eisen@tcu.edu.

References

1 Christenfeld, R., Wagner, J., Pastva, G. & Acrish, W.P. (1989);Diette, G. B., Lechtzin, N., Haponik, E., Devrotes, A., & Rubin, H. R. (2003; Hathorn, K. & Nanda, U. (2008); Higgs, W. (1970); Miller, A.C., Hickman, L.C., & Lemasters, G.K. (1993); Minde, R., Haynes, E. & Rodenburg, M. (1990); Schneider, S.M., et al. (2003); Stahler, G.J., Frazer, D., & Rappaport, H. (1984); Sommer, R. & Ross, H. (1958); Ulrich, R. S. (1984); Ulrich, R. S. (1991); Ulrich, R. S. and L. Gilpin (2003); Whitehead, C.C., Polsky, R.H., Crookshank, C., & Fik, E. (1984).

2 Daykin, N. (2008). Review: The impact of art, design, and environment in mental healthcare: a systematic review of the literature. The Journal of the Royal Society for the Promotion of Health, 128(2): 85-94.

Source URL: http://www.healthcaredesignmagazine.com/article/art-and-mental-health

 

More than ‘Art’

26.04.2012

Art has taken on many forms and functions in healthcare design. When used effectively, art has a profound potential to change how patients, visitors, and staff perceive, interpret, and react to the spaces around them.

We already know through evidence-based design studies that art can have a positive impact on patient outcomes. Empirical data shows that, physiologically, patients respond positively to specific types of art. That data has informed the design of many recent projects.

What evidence-based principles do not (yet) tell us is that art can do more for a healing space than just reduce stress.

Before you read further, stop and ask yourself, “What is art?” Defining the word is an inherently elusive task due to the subjective nature of art. Look “art” up in the dictionary and you will find something to the effect that art is “the quality, production, or expression of what is, according to aesthetic principles, beautiful, appealing or of more than ordinary significance.” (Random House Webster’s Unabridged Dictionary, Second Edition). By definition, art can be more than just eye candy.

In today’s healthcare environments, art can be much more than merely a “positive distraction” in a complex atmosphere. It can help engage and garner support from the local community, enhance our understanding and interaction with a space, and help us process life-changing events.

 

Source URL: http://www.healthcaredesignmagazine.com/article/more-art

Rashid Rani

Composite Imaging Recommends Rashid Rana at The Corner House, Manchester

Rashid Rana, artist working in  South East Asia is considered to be a prominent and original contemporary artist. It is his first UK sol show and includes new and recent works that deal with the unconventional use of the photographic image/object. The photo sculptures and wall photo mosaics allow  the viewer to perceive at a distance something that is quite different closer up, the cultural & political realities. One piece in particular allows you to see a stunning image of a Carpet, but it is made up of mosaic photographs of people at war.

On at Corner House until December 18th 2011.